When faced with the question, ‘What is your favourite bassline?’, I find it very difficult to come up with just one answer.
To me, what makes a good bassline is simply a rhythm that complements the instruments around it. But a great bassline tells a story.
This is why I see the Beatles’ Penny Lane as one of my favourite basslines.
Yes, an underrated bassline that many people aren’t even aware they are hearing, however, take away its bassline and Penny Lane is no more than a selection of instruments making nice sounds.
Now don’t get me wrong. These other instruments are fundamental to creating that classic Penny Lane tone but you can only decorate something when it has solid foundations.
To me, basslines can come in many different forms, my favourite of which is melodic basslines.
In Penny Lane, Paul McCartney creates a very interesting walking bassline in the verses, which could make you feel as though you’re walking down Penny Lane yourself.
Then the satisfying contrast in the chorus creates a more ‘laid back’ sound that seems to just trigger the happy, nostalgic memories of childhood. Magic!
I am also in love with the tone of the bass in this song. You may notice that the bass starts in the highest range, which gives it an iconic mellow sound – the only way I can truly describe the sound of these first few bass notes is “welcoming” (not very technical but it makes sense to me).
When the bass has ‘walked’ down into the lower octaves, it is doubled by the piano, which simply sounds awesome because piano and bass just work so well together!
I always say when I started playing bass, it completely changed the way I listen to music because I started naturally learning to listen out for basslines. Penny Lane is my evidence for this. I was in love with this song long before I picked up a bass. But when I started playing bass in 2020, I realised the reason I love that song so much is because of the bassline.